Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Bay people are different than sea people. For those who grow up on an open coast, boundlessness is everyday reality; they pace themselves to the crash of waves originating in other time zones. Bay people have a more measured relationship to open spaces. They're still optimists, like anyone who knows what it's like to travel on water, defying the slow pace of footsteps on solid ground. But they can always see the distant outline of a shore.

The results are in for the first-ever NPR Turning the Tables readers' poll, and they send a strong message to anyone fancying themselves a cultural justice warrior in 2018. It is this: check your intervention.

Mention Erin Rae's name in Nashville indie music circles and you'll get a certain reaction: people's eyes light up, they sigh, and use words like "angelic" and "mesmerizing." Rae's gentle voice and subtle, deeply insightful songwriting have made her a standout among the city's folk and Americana artists for years.

Nashville rock is fun, loud and often trashy, but the best bands push themselves beyond mere noise into visionary territory. Idle Bloom is a band that's grown from its roots in the all-ages punk scene to become one of the city's most musically compelling and lyrically insightful ensembles.

When people ask about the rock 'n' roll sound of Nashville, locals might direct them to the garage rock scene, to Jack White's Third Man Records, or to guitar-slinging country outlaws like Sturgill Simpson or Eric Church. But they'd be remiss to leave out Moon Taxi, a band that's grown a large and devoted fan base in Music City since forming at Belmont College 10 years ago.

This is NPR Music's live blog of the 2018 Grammy Awards. The telecast of the awards show is scheduled to run from 7:30 until 11:00 p.m. ET. We'll be here the whole time, updating this post with every award or performance.

In July, NPR published Turning The Tables, it's list of the 150 Greatest Albums By Women during the "classic album" era. Our occasional listening parties bring together voters to discuss some of their favorites from the list.

Today, we are considering classic albums by two singers who both died too young, but still had time enough to embody the freedom and heartache of their respective generations.

Wrapping up a year of some incredible sessions, this week, World Cafe is digging into the archives for some of its best performances and interviews of 2017.

In music and the culture it reflects, 2017 was predictably unpredictable: idols fell, empires shook, consensus was scarce. This conversation is one of five with artists, makers and thinkers whose work captured something unique about a chaotic year, and hinted at bigger revelations around the bend.

Last summer I took my daughter to Vans Warped Tour for the first time. She'd been clamoring to go since the first time she'd walked into a Hot Topic store and bought a t-shirt emblazoned with the logo of the band Black Veil Brides; deeply devoted to that band and its sweetly philosophical, doe-eyed singer Andy Biersack, she'd even had their album cover painted on her eleventh birthday cake. By age 13 she'd become utterly versed in current pop-punk and grunge-indebted metal, shouting along to her playlists of Neck Deep and Attila songs in the car.

Kyle Jahnke and Andy Baxter, collectively known as Penny & Sparrow, are pin-drop performers, the kind which silence rooms with impeccable songs and storytelling that unfolds like a dream. The duo has amassed a devoted following in six years, and traveled from Austin, Texas to Muscle Shoals, Ala., now splitting its time between the two musical centers.

In 2018, country rock will be 50 years old; that's according to most official histories, anyway, which mark the subgenre's beginnings with the release of two Gram Parsons projects, the International Submarine Band's Safe At Home and The Byrds' Sweetheart Of The Rodeo. Why not celebrate a little early?

Willie Watson feels his way through America's musical history by sliding an old bottleneck against the strings of his acoustic guitar. He finds it in the grain of his own voice, cultivated over 20 years of singing old songs his own way. First as a founding member of Old Crow Medicine Show and now in his own solo career, Watson has brought folk-based roots music alive for new listeners in the 21st century.

It's always a little irritating when women in rock bands are dubbed "vulnerable." The word is often meant as a compliment, but one given without consideration to the fact that music always opens up its makers to a wide range of emotions. And as if women, in particular, bear some magical burden of openness, lacking the ability to rage and strut and cause trouble like guys do.

What does vulnerability sound like, anyway? Maybe it's just the willingness to occasionally sound awkward. To hit a bum note. To say the thing that makes you look a little dumb.

Becca Mancari likes to take the long way around. The Nashville singer-songwriter was born in Staten Island, grew up in Pennsylvania, and developed her love of American roots music during her student days in Virginia. She's traveled the country and the world; some of the spaciousness in her hypnotic, subtle songs comes from lessons she learned while on a walkabout in India.

Growing up outside Philadelphia, Devon Gilfillian learned about the working musician's life from his father, a singer and percussionist in a beloved local party band. He found his own path as a singer-songwriter and moved to Nashville just a few years ago, in hopes of finding a community appreciative of his blend of social consciousness, rootsy melodies and soulful grooves. Like so many before him, Gilfillian found those peers while waiting tables in a popular local venue, where he also absorbed the musical lessons of the stars who stopped by on tour.

Note: NPR's First Listen audio comes down after the album is released.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


"I want to see growth in wood, time in stone, nature in a city," the sculptor and photographer Andy Goldsworthy has said of his ephemeral works – giant snowballs that slowly melt on the streets of London; leaves formed into a spiral pattern, undone one by one by a river current. Goldsworthy is a naturalist whose work reminds us that life is a cycle of growth and decay.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

In this special episode, we're having a listening party inspired by Turning the Tables, NPR Music's list of 150 Greatest Albums Made By Women. It was spearheaded by Ann Powers, our Nashville correspondent. She joins us — along with Alisa Ali from WFUV in New York City, Andrea Swensson from The Current in Minneapolis, and me, Talia Schlanger — to focus on a couple important records from that list that came out in the '90s.

Some people float through change; others aggressively swim. Still others find themselves deeply challenged to find ways to follow a current that can carry them to a safe shore. The Lone Bellow, the Brooklyn-born trio of Zach Williams, Kanene Donehy Pipkin and Brian Elmquist, negotiated many changes while making its third album, Walk into a Storm. Babies were born; a close friend of the band committed suicide. One member sought and found a way to deal with alcohol addiction.

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