Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

The Record
12:23 am
Fri September 13, 2013

'90s Nostalgia Revisited: 6 Musicians We Miss

P.M. Dawn, sometime in the '90s.
Mick Hutson Redferns

Originally published on Fri September 13, 2013 8:11 am

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The Record
2:08 pm
Sat August 17, 2013

Fall Pop Preview: A 'Roar' Of 'Applause' For New Music

This week, Lady Gaga (left) released the song "Applause," from her forthcoming album ARTPOP, and Katy Perry released "Roar," from Prism.
Courtesy of the artists

Originally published on Sun August 18, 2013 4:07 pm

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The Record
5:19 am
Thu June 6, 2013

Country Music's Year Of The Woman

Miranda Lambert performing in April at the Academy of Country Music Awards, where she won best song, best record and best female vocalist for the fourth year in a row. The Lambert Effect has opened doors for many of the new hopefuls blending hard country sounds with feminist-aware attitudes.
Kevin Winter/ACMA2013 Getty Images for ACM

Originally published on Thu June 6, 2013 6:41 am

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