Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, will be published in April 2016 by HarperCollins.

There's a confessional quality to the songs of Pinegrove that feels reassuring. The problems that swirl around Evan Stephens Hall's head feel universal, so it's comforting in "Old Friends" when he sings, "I should call my parents when I think of them / I should tell my friends when I love them."

Today's All Songs +1 podcast is a conversation with The Antlers' Peter Silberman on how hearing loss would eventually lead him to create his first solo album.

The bowed electric guitar droned as Thao & The Get Down Stay Down revved up a mighty sound. This set, recorded live this past August as part of the Lincoln Center Out Of Doors series in New York's Damrosch Park, was the fiercest set I've seen from this San Francisco group. Singer Thao Nguyen has been a bandleader for the past dozen years or so, and these three songs — from Thao & The Get Down Stay Down's fourth studio album, A Man Alive — more than capture her quirkiness and angular power.

I wasn't alone in patiently waiting for new music from John Paul White. His singing and songwriting as half of The Civil Wars was heartfelt and beautiful. This summer, a new album finally came, and Beulah was a quietly understated gem. This is tender Southern music without drawl or pretense, and I love it.

Adam Torres' voice makes Pearls To Swine a constant listen for me. It's high and lonesome, but more frail than the voices of the bluegrass pioneers who defined that sound, like Ralph Stanley. Besides, Torres isn't a country singer or a folksinger so much as an atmospheric storyteller.

My first experience seeing Joseph was in 2014 as an opening act in New York City. It was just the twins Meegan and Allison Closner and their older sister, Natalie Closner, and it was clear then they had something special. Over these two years, Joseph's sound has grown beyond the Closners' harmonies. Now, you're likely to see them with a band or hear songs from their latest record, which is filled with sounds far beyond voice and acoustic guitar.

Today we're thrilled to announce that the winner of the Tiny Desk Concert Contest is Fantastic Negrito.

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