Fresh Air

Weekdays from 3pm to 4pm and repeated at 8pm
  • Hosted by Terry Gross

Fresh Air is the Peabody Award-winning weekday magazine of contemporary arts and issues from NPR hosted by Terry Gross. Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights."

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Is it possible to create a realistic television series about the commodification of sex workers and porn actors without being exploitative? That's the dilemma David Simon and George Pelecanos faced while creating their new HBO series, The Deuce.

"We didn't particularly want to do a show about pornography," Pelecanos says. "David and I worked on this for two or three years before we shot any film, and it was continually on our minds: How were we going to approach it?"

So many great writers have given us so many great quotes in an attempt to capture New York, but I think my favorite is by the legendary New Yorker writer A.J. Liebling: "Before it was anything else," Liebling says, "New York was a seaport, and before anything else, it still is."

Jennifer Egan clearly shares Liebling's view in her latest novel, Manhattan Beach. Egan is known for the edgy tone of her work and for her fragmented storylines that require some self-assembly by readers.

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TERRY GROSS, HOST:

My wife was the love of my life. We were together for a dozen years. And then, in 2013, it was over. I was 32 and bipolar, and divorce felt like the end of the world. I was so depressed, I was hospitalized.

Friends told me I needed time away to begin to heal. They helped me move to Dubai, where I could be with family. But weeks passed and I hardly recovered. I was no longer suicidal, it's true. But I didn't really care if I was alive, either.

David Litt was 24 years old and just a few years out of college when he landed a job writing speeches for President Barack Obama — an experience he calls "surreal and completely terrifying."

Though he was initially assigned the speeches no one else wanted to write, Litt eventually became a special assistant to the president and senior presidential speechwriter. His duties included writing jokes for the short comedy routine Obama performed annually at the White House Correspondents' Association Dinners.

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Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

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DAVE DAVIES, HOST:

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DAVE DAVIES, HOST:

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When filmmakers Ken Burns and Lynn Novick began research for a 10-part PBS documentary on the Vietnam War, they thought they knew the material. After all, Burns was of draft age in 1970, though his draft number was too high for him to be called to serve.

But as they began interviewing subjects and sorting through archival footage, Burns and Novick soon came to appreciate just how complicated the war was. "We went in, both of us, with this kind of arrogance about it, and immediately had that blown out of the water," Burns says. "We realized we knew nothing."

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Fall is when the publishing industry gets serious, when it leaves beach books in the sand and turns to weightier topics. And what could be weightier than the greatest question of all: the meaning of life. Two new books — one a novel; one a (sort of) memoir — tackle that ultimate question through experimental forms of writing.

I know, I know: "Experimental writing" is surely one of the least enticing literary terms. But don't be put off, because both of these odd new books offer something special, something that more "broken in" forms of writing can't provide.

On television, Jerry Seinfeld has not only been astoundingly successful, he's also been amazingly consistent in pursuing and presenting his particular comic vision. He doesn't do big shows or specials about grand ideas and giant themes. He does narrowly focused TV programs about specific concepts — then, within those narrow confines, he finds humor, honesty and sometimes even art.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Ken Burns became a star on PBS a generation ago by telling the story of the Civil War in a huge — and hugely popular — documentary series. Since then, he and his collaborators have done invaluable work, including a lengthy and superb examination of World War II.

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TERRY GROSS, HOST:

About halfway through Claire Messud's new novel The Burning Girl, our narrator, a 12-year-old girl named Julia, makes this pronouncement:

Sometimes I felt that growing up and being a girl was about learning to be afraid. Not paranoid, exactly, but always alert and aware, like checking out the exits in the movie theater or the fire escape in a hotel. You came to know, in a way you hadn't as a kid, that the body you inhabited was vulnerable, imperfectly fortified.

Back in 2011, Naruto was just an anonymous macaque in the jungles of Indonesia. On one particular day, however, the photogenic primate happened upon a wildlife photographer's camera and snapped a "monkey selfie."

Whether the act was intentional or a quite-too-literal instance of monkeying around, only the grinning primate knows for certain. But it raised a complicated question: Who owns the images Naruto took, the monkey or the man?

It also started a years-long saga in which the U.S. Copyright Office and even Wikipedia weighed in.

During Donald Trump's campaign for president, there were times at his rallies when he singled out one reporter for criticism. Katy Tur, who covered the Trump campaign for NBC News and MSNBC, remembers those instances vividly.

Following the attacks of Sept. 11, 2001, first responders rushed to ground zero in Manhattan, where they braved dangerous conditions to rescue people buried in the rubble, retrieve the remains of the dead and clear the debris. Among them was demolition supervisor John Feal.

Feal arrived at ground zero on Sept. 12; just five days later, he was seriously injured when an 8,000-pound piece of steel fell and crushed his foot.

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