Percussionist Kip Ruefle found his way to traditional music by following his interest in the bodhran, the traditional Irish drum. He brings decades of performing rock and jazz into the mix.
Kristy Dubinsky, from Irwin, recently walked through the RAW/Pittsburgh exhibition enjoying the diverse collection of emerging artists.
“There’s definitely a collaborative nature and aspect to this,” Dubinsky said. “They bring together everything from fashion to music to fine art, photography, film. It’s just a great way to bring everybody together.”
Kente Arts Alliance is an organization whose mission is to present art from the African diaspora. TV and radio personality Chris Moore says they are “a great civic resource” and believes that if they weren’t here, “there would be a void.”
Brooklyn native Mensah Wali and Pittsburgher Gail Austin founded the organization in 2007 and have presented a wide variety of artists to Pittsburgh audiences.
Wali terms it a “weave of culture.” The word Kente is West African in origin and describes a type of cloth common in Ghana.
“We’re new musicians,” said Smith, the group’s cellist. “We do play classical music now and again, but part of a contemporary performance, especially, is to present it in a way that classical music isn’t standardly presented.”
“Cities of asylum” form a global network of support for oppressed and endangered writers.
In Europe they are supported by governments. In the United States they are usually sponsored by universities. City of Asylum/Pittsburgh, however, operates on a different model.
Ryan Neitznick and John Fischer comprise the production team known as La Harrier.
Their studio in Lawrenceville is also known as La Harrier, and it’s part of a growing aspect of Pittsburgh’s arts community — nontraditional, independent music producers.
They each grew up and began their musical careers in Pittsburgh but actually met and formed their partnership about six years ago in Philadelphia.
It began nearly ten years ago as “an evolving experiment for improvisational free jazz movement, performance-happenings and new ideas in dance,” and The Pillow Project has never wandered far from its roots.
Pearlann Porter heads the group that sees the word “jazz” as a verb. The group gathers the second Saturday of every month at “The Space Upstairs” in Pittsburgh's East End to perform. Project members call the studio in a repurposed warehouse a “4,000 square foot canvas where audiences and artists interact.”
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