Pittsburgh Opera

When Sean Gibson was first approached by a musician wanting to write an opera about his great-grandfather, he was a little skeptical.

There is no fancy set, no elaborate costumes. Just a small three-level stage, a string quartet and two opera singers — who both happen to be playing the same person.

“My character is Hannah Before; Hannah before she transitions to female,” said Brian Vu, a resident artist with the Pittsburgh Opera.

Fellow resident artist Taylor Raven is Hannah After.

The Internet and television provide access to unbelievable amounts of art, all that can be experienced in the comfort of one’s living room, but is it stopping people from experiencing art at theaters and museums?

While marketing directors like City Theatre's Laura Greenawalt and Christian Cox of Pittsburgh Opera are aware of the challenges of getting folks to leave their home, both are constantly working to bring in new patrons.

Igor Stravinsky’s opera The Rake’s Progress premiered in 1951, one of the last major works of his neoclassical period. The renowned Russian composer had long since left behind the avant-garde style of his earlier works, like Firebird and The Rite of Spring, and moved toward a more conservative sound.

Pittsburgh Opera Music Director Antony Walker said during this middle period of his career, Stravinsky looked to the past for inspiration.

The life and times of Pittsburgh native Gertrude Stein will be highlighted in the opera 27. Opening this weekend, we’ll preview the Pittsburgh Opera production with Laurel Semerdjian, who will be singing the role of Gertrude Stein and Adelaide Bodecker who sings the role of Alice B. Toklas.

The Pittsburgh Opera this weekend will travel back in time starting this weekend to bring you the story of Paul in the English-language opera “Paul’s Case.”

It’s based on the story of the same name by Willa Cather, who wrote it while living in Pittsburgh. The story starts out in Pittsburgh where young Paul, described as a “dandy,” yearns for a more exciting life away from dark and industrial Pittsburgh.  

“It really gets at how difficult it is to be a teenager whether it’s 1905 or today,” said composer Gregory Spears. “It’s a difficult time for all of us whether we’re teachers or teenagers ourselves or parents.”

Vocal coach Daniel Teadt discovered his love of music when he was a student at the University of Illinois.

The early days of his career required traveling to many different cities, including a stop here as an artist in residence with Pittsburgh Opera.

Teadt, who met his wife in Pittsburgh, didn’t initially stay in the city. But now they’ve returned, and he’s feeling quite comfortable in his wife's hometown.

“We now have a family here and a great network here,” he said.

This year, the Pittsburgh Opera will celebrate its 75th season. 90.5 WESA Senior News Editor Mark Nootbaar, talks with Pittsburgh Opera General Director Christopher Hahn about the upcoming season and their Diamond Jubilee.